Tag: new

C.P.E.Bach, Allegro from Sonata in e-minor

An excerpt from C.P.E.Bach, Sonata in e minor, performed by Horacio Parravicini, traverso flute and Diego Crespo, cembalo at San Amaro Church, Burgos, Spain.

This traverso flute is a replica of Carlo Palanca, made by Simon Polak, hz 415.


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Horacio Parravicini, flute
Eduardo Cazaban, piano

from the CD “Easterly Winds”


Tsybin studied flute and composition at the Moscow Conservatory under, amongst others, Glazunov and Liadov. He was solo flute at both Bolshoi and Mariinsky Theaters and taught at the St.Petersburg and Moscow Conservatories. He was often referred to as the “Russian Andersen”, on a par with Denmark’s Joachim Andersen, who was to become solo flute of the Berlin Philharmonic and was also a prolific composer for the instrument.

The ALLEGRO CONCERTANTE No.1 in A minor, similarly to Nos.2 and 3, was composed in 1946. Tsybin was, at this time, already retired from concert activity but continued teaching at the Moscow Conservatory.
These works were composed with teaching in mind, in the same manner as those works composed by Andersen and Boehm. They have remained as mandatory repertoire in the Leningrad and Moscow Conservatories for over 50 years. However, outside Russia, they are almost unknown.

Tadasuke Ohno: Yoimachigus

Horacio Parravicini, flute
Marion Desjacques, harp


*recording from a live concert

Ernő Dohnányi (1877-1960), Passacaglia for solo flute

From CD “Easterly Winds” (2007)
Recorded at Estudios Moebio, Buenos Aires, in July 2007


Although Ernő Dohnányi’s music was essentially Romantic in nature, the Passacaglia for Solo Flute employs the 12 tone series, in an attempt to juggle with a new language. The renowned flutist, Eleanor Baker, reminiscing on her youth, recalls having heard Dohnányi play a Brahms Sonata marvelously and there and then, expressing her sorrow at Brahms not having composed a similar work for the flute. Dohnányi had promptly replied, “then I will compose one for you, in his stead”. It was thus that Op.48 No.1 (Aria for Flute and Piano) and Op.48 No.2 (Passacaglia for Solo Flute) came to be, both having Ms.Baker as the dedicatee. And it was she who premiered both works at Carnegie Hall in New York in 1969.

*artwork by Martin Johnson Heade (American, 1819-1904), Passion Flowers and Hummingbirds, a fragment, from the collection of the Museum of Fine Arts, Boston, USA

Doppler, Chanson d’Amour

Horacio Parravicini's flute

Live recording of Franz Doppler, Chanson d’Amour performed by Horacio Parravicini